selected works
(by order of date composed)
machina • for soprano voice and string bass • 12’
a text setting of Supreme Court Justice Harry Blackmun’s dissenting opinion in Callins v. Collins, dealing with capital punishment
for LIGAMENT
circadian drift • for sinfonietta • 7’
timestreams • for string quartet • 11’
res ipsa loquitur • for solo harp • 8’
the persistence of memory • for solo viola (violin version also available) • 6’45”
for Nadia Sirota
singularity • for solo tenor saxophone and live electronics • 15’
commissioned by Jonathan Skobel
tessera/tesselation • two pieces for strings (grade 3) • 5’
commissioned by Oley Valley High School
invictus • for symphony orchestra • 8’
instrumentation: 2 2 2 2 - 4 2 3 1; Timp. 3Perc. Pno. Hp. Str.
content // a humble offering to the algorithm • for flexible percussion ensemble • 7’30”
premiered at Sō Percussion Summer Institute 2021
west nickel mines • one act chamber opera • 16’
based on the aftermath of the 2006 Amish Schoolhouse shooting
Instrumentation: 2 Soprano Voices, 1 Alto Voice, 1 Baritone Voice, SSAA Chorus, Trumpet, Tenor Saxophone, Accordion, Piano, Violin, Viola, Cello, Electronics
contact for complete audio / video / perusal score
cenotes • for solo flute • 6’
aperture • for solo cello • 7’45”
written for chris gross
published by theodore presser company — presser.com/144-40743
chrysalis • for large percussion ensemble • 6’
commissioned by Concord Community Schools (IN), lead by Denton Sutherlin
light you will return • for solo piano and electronics • 9’
hudson heights • for two percussionists and two pianists • 9’
premiered at nief-norf summer festival 2019
copper + gold • for string quartet, electronics, and spoken word • 40’
critical mass • for symphonic orchestra • 12’
battersea reach • for solo cello with string orchestra and harp • 2’30”
sonata • for string bass and piano • 12’
pioggia • for string quartet • 4’
premiered by esterhazy string quartet